Review: Pam Tanowitz’s ‘Four Quartets’ Hits Poetic Heights

A wide array of dance motifs returns throughout the work: A tilting stance with hands meeting overhead becomes a classically statuesque image of withdrawn meditation. Lindsey Jones has an insistent string of rapid steps (emboîtés), with legs turned out, scarcely advancing, like a witty drill

Read the full review by Alastair Macaulay in the New York Times